Jacobson Art Studio
Kate and Will Jacobson
ARTIST STATEMENT
Our thirty year collaboration has given us fire, laughter, wonder and joy. Through our work, we attempt to create a harmonious substance of form, line and color. These explorations lead us to experience the world with our hearts as well as our minds.
Our approach to making art is much more intuitive than pragmatic. When working, we allow the fate of the clay to reveal itself and then embrace the gesture. It's almost an involuntary response where we are simultaneously the guide and the seeker.
We call our technique Naked Raku. We call it naked because we expose the unadorned, earthly beauty of the clay. We celebrate such natural splendor by allowing it to speak with its own voice. We refer to raku because we fire in the tradition of Japanese potters. Naked Raku succeeds tradition by using a slip/glaze combination as a resist to the clay.
Our forms speak of a grace which is timeless. The language of clay transcends time and place; history and culture are communicated through the potters' hands and preserved forever.
SELECT GALLERIES
Hana Coast Gallery, Hana, Hawaii
Diamond Head Gallery, Lahaina, Hawaii
Discover Gallery, Waikoloa, Hawaii
Kaukini Gallery, Kahakuloa, Hawaii
Pacific Fine Arts, Kailua-Kona, Hawaii
Raku Gallery, Jerome, Arizona
Shorelines Gallery, San Diego & Eureka, California
Tabora Gallery, Honolulu/Haleiwa, Hawaii
SELECT PUBLICATIONS
2009 Raku: A Practical Approach, Branfman
2009 Raku Firing: Advanced Techniques, Jones
2008 NCECA Guest Lecture Archives
2001 Barrel, Pit and Sagger, Firing, Von Dassow
2000 Raku: A Practical Approach, Branfman
1997 Resists and Masking Techniques, Beard
1992 XIII Binnale International de Ceramique D'Art
1992 Ceramics Monthly, February
1989 New York Times, September 7
STUDIO LOCATIONS
1973-1989 Sedona, Arizona
1989-2001 Olympic Peninsula, Washington
2001-present Big Island, Hawaii